Popping Dance

Our dreams are who we are...

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Popping is a dance style and one of the original funk styles of dance that came out of Fresno, CA in the 1970s. It is based on the technique of quickly contracting and relaxing muscles to cause a jerk in the dancer's body, referred to as a pop, tick or a hit. This is done continuously to the rhythm of a song in combination with various movements and poses. Popping is also used as an umbrella term to refer to a group of closely related illusionary dance styles and techniques that are often integrated with popping to create a more varied performance, but it is distinct from breaking, with which popping is often confused. A popping dancer is commonly referred to as a popper. Like other styles of hip hop, popping is often performed in a battle trying to outperform another dancer or group of dancers in front of a crowd. This gives room for improvisation and moves that are seldom seen in shows and performances (also referred to as freestyling). It also allows for interaction with the other contestants and spectators. Related styles and techniques Animation: A style and a technique where you imitate film characters being animated by stop motion. The technique consists of moving rigidly and jerky by tensing muscles and using techniques similar to strobing and the robot to make it appear as if the dancer has been animated frame by frame. This style was heavily inspired by the dynamation films created by Ray Harryhausen, such as The Seventh Voyage of Sinbad (1958). Animatronics: A style similar to "Botting" but you "hit" at the end of each movement. this imitates Animatronic robots. Electric Boogaloo: A loose and fluid style trying to give the impression of a body lacking bones; partly inspired by animated movies and cartoons. It utilizes circular rolls of various body parts, such as the hips, knees and head, as well as isolation and sectioning, like separating the rib cage from the hip. It was developed in 1976 by Boogaloo Sam. The electric boogaloo is the signature style of The Electric Boogaloos (the dance crew). Bopping: A style of popping in which the chest is isolated by being pushed out and brought back while flexing the chest muscles. As this movement is performed to the beat the popper can incorporate different moves in between the chest bop. When practiced the chest bop can be done at a double-time interval adding a unique effect to the move. Cobra: Similar to a Boogaloo, except you roll your chest like a snake. Crazy legs: A leg-oriented style focusing on fast moving legs, knee rolls and twisting feet. Developed in 1980-81 by Popin' Pete, originally inspired by the fast and agitated style of breaking by the famous b-boy Crazy Legs from Rock Steady Crew. Dime stopping: A technique of moving at a steady pace and then abruptly coming to a halt, as if attempting to stop on a dime. This is often combined with a pop at the beginning and/or end of the movement. Fast forward: The concept of moving faster than normal, like being part of a video being played in fast forward. Flexing: In flexing the dancer uses flexible arm stretches which usually include the temporary dislocation of the shoulder. Movements are also added to make the stretches look more exaggerated. This style of movement is also commonly known as "Bone-breaking" Floating, gliding and sliding: A set of footwork-oriented techniques that attempt to create the illusion that the dancer's body is floating smoothly across the floor, or that the legs are walking while the dancer travels in unexpected directions. Fresno: A move, which defines all that is essential in Popping (also used in electric boogaloo). The Fresno can be performed in various different ways as only the following requirements exist. In a fresno, the dancer moves side-to-side doing a hit on each turn with the leg and arm of the side the dancer h